Sơn gel thường khó tẩy hơn sơn móng thông thường, và thường được tẩy đi bằng cách ngâm móng trong nước tẩy để sơn mềm ra rồi mới lau đi được. là một kiểu vẽ móng với lớp sơn dưỡng màu hồng nude nhạt còn đầu móng được sơn màu trắng. Móng tay kiểu Pháp do Cowboy Bebop is a 2021 American science fiction television series. It is a live action series based on the 1998 Japanese anime series of the same name and the 2001 Japanese anime film of the same name.Set in the year 2171, the series focuses on the adventures of a ragtag group of bounty hunters chasing down criminals across the Solar System on the Bebop spaceship. Nàng hậu tỏa sáng khi diện những gam màu rực rỡ, tươi mới như cam neon. Quy tắc 3: Trang điểm đơn giản Cách trang điểm khi diện những màu nổi cũng rất quan trọng, bạn nên chọn những layout makeup trầm với màu mắt nâu đen và son nude. Về kiểu tóc, ban cũng nên lựa chọn những kiểu tóc đơn giản như cột cao, búi thấp Situs Berita harian terkini yang menyajikan berita hari ini dan kabar terbaru seputar politik hingga berita lifestyle dan olahraga Dịch Vụ Hỗ Trợ Vay Tiền Nhanh 1s. Trong mùa Thu 2015 này, ngoài chuyện màu son nâu đang lên ngôi thì son nude cũng lấy lại được sự yêu thích của phần đông phái đẹp. Không nổi bật nhưng son nude vẫn đảm bảo cho người phụ nữ mang nó một sự quyến rũ, tinh tế, bí ẩn đầy tự nhiên. 10 thỏi son màu nude dưới đây chắc chắn sẽ mê hoặc không ít cô nàng. 1. MAC Satin Lipstick màu Myth Sự mềm mại, màu sắc tuyệt vời, hương thơm quyến rũ, độ bám màu lâu đã khiến MAC Satin Lipstick chinh phục được phái đẹp. Myth là tông màu phù hợp với hầu hết các màu da trung bình. Nếu bạn sở hữu một đôi môi quá dày thì dùng Myth thay thế chì kẻ viền sẽ giúp môi gọn và gợi cảm hơn. Với mức giá khoảng 22USD tương đương với khoảng thì đây là một thỏi son rất đáng để đầu tư. 2. NARS Satin Lipstick màu Honolulu Honey Ngay cái tên của son đã tạo cảm giác tươi trẻ, thiên nhiên và đáng yêu. Màu sắc tinh tế của Honolulu Honey vô cùng hợp khi được dùng với phấn má phớt hồng và mắt khói. Chất son nhẹ như không nhưng mang đến độ bao phủ trọn vẹn đầy sức sống. NARS Honolulu Honey có mức giá khoảng 24USD tương đương với 3. Christian Louboutin Silky Satin Lip Colour màu Me Nude Nổi đình nổi đám trong suốt thời gian qua nhờ thiết kế đẳng cấp, chất lượng tuyệt vời và được phụ nữ khắp nơi săn đón, son Christian Louboutin không thể đứng ngoài danh sách 10 thỏi son nude đáng được sở hữu trong mùa Thu năm nay. Me Nude giữ được độ mướt và bóng tự nhiên nhờ các sắc tố màu siêu mịn mượt. Thỏi son này nhẹ nhàng lướt trên môi khiến các cô gái có được vẻ đẹp gợi cảm, sang trọng. Độ bền màu cao cho phép giữ màu tới bốn giờ đồng hồ. Giá hiện tại của Me Nude dao động trong khoảng 90USD tương đương với hai triệu đồng. 4. Yves Saint Laurent Rouge Volupte Silky Sensual Radiant Lipstick - Số 2 Nếu đã có trong tay thỏi YSL này, chắc chắc không nàng nào chịu để nó ở nhà. Son tông nude nổi bật, cao cấp với vỏ màu vàng được trang trí tinh xảo gắn logo YSL. Silk Sensual bền màu, giúp môi căng mọng tự nhiên, vô cùng hoàn hảo khi sử dụng vào ban ngày hoặc trong những dịp đặc biệt. Mức giá 36USD tương đương tuy không rẻ nhưng rất "đáng đồng tiền bát gạo." 5. Yves Saint Laurent Rouge Volupté Lipstick màu Nude Beige Phái đẹp nghĩ về son nude như một cách thể hiện hết nét đẹp tự nhiên của họ, phô bày được màu da, màu tóc, thậm chí cả màu mắt. Và tùy vào từng tông da mỗi người mà họ chọn sắc nude nào phù hợp. Nếu bạn muốn một chút tươi trẻ, gợi cảm, hãy chọn nude hồng nhạt của YSL. Đối với màu da trung bình, nên sử dụng màu be đậm hơn để tăng tính gợi cảm. Còn muốn sở hữu đôi môi bóng hơn thì trước khi tô son, hãy dưỡng ẩm cẩn thận cho môi. Giá của YSL Nude Beige là 34USD tương đương khoảng 6. Tom Ford Lip Color màu Sable Smoke Tom Ford là hãng mỹ phẩm cao cấp nơi có cây son môi màu nude rất được phái đẹp rất yêu thích. Son Tom Ford tuyệt đối mềm mại với màu hồng be bền bỉ giúp tạo cảm giác ấm áp, sang trọng. Vỏ son màu đen viền vàng chắc chắc, tinh tế. Thỏi son này có giá 48USD tương đương 1,1 triệu đồng. 7. Dior Rouge Dior Lip Color màu Angelique Beige Màu son trầm giúp tạo sự ấm áp và cũng rất lý tưởng bởi nó phù hợp với tất cả các màu da. Dior Angelique Beige thể hiện sự tinh tế của người sở hữu. Trước khi tô son, bạn cần đảm bảo việc môi được chăm sóc cẩn thận với bước dưỡng ẩm và tẩy tế bào da chết. Mức giá của thỏi son này là 32USD tương đương với 8. Chanel Rouge Coco Shine màu Canotier Canotier là thỏi son có màu nâu trung tính và tạo sự mềm mịn tự nhiên thuộc dòng Rouge Coco Shine của Chanel. Màu sắc vừa phải không quá đậm, không quá nhạt phù hợp để dùng vào mọi thời điểm trong ngày. Đặc biệt, nó rất tuyệt vời khi kết hợp với phong cách trang điểm mắt ấn tượng mắt khói đậm, viền mắt đen dày. Mức giá 32,5USD tương đương với khá lý tưởng với dòng son cao cấp này. 9. Dior Rouge Dior Lip Color màu Beige Indecise Năm nay, son tông nâu lên ngôi, bởi lẽ nó phù hợp với hầu hết mọi người. Dior Beige Indecise khi dùng trên da nhạt màu giúp môi trở nên tự nhiên, hài hòa nhưng vẫn gợi cảm. Còn trên da sẫm màu hơn, nó mang lại sự quyến rũ mạnh mẽ, đặc biệt khi kết hợp cùng màu mắt ấn tượng. Cây son này sở hữu độ bền màu tốt, lâu trôi và không phai. Khi tô son, bạn nên sử dụng cọ để có thể kiểm soát được màu môi như ý và đánh son chuẩn ở các góc của môi. Hiện tại, Dior Beige Indecise có mức giá 32USD tương đương với hơn 10. KohGenDo Maifanshi Lipstick màu Pink Beige KohGenDo mang kết cấu mịn màng làm sáng lên những sắc tố môi tự nhiên. Dù mang tông nude nhưng nó không hoàn toàn trong suốt, nhờ đó tránh làm môi bị nhợt nhạt. Trong Pink Beige chứa lượng lớn chất dưỡng môi vì vậy nó làm môi căng mướt, bóng mượt. Để mua KohGenDo Pink Beige, phái đẹp cần chi 39USD tương đương với Mục đích của những thỏi son nude là mang lại cho bạn vẻ đẹp nền nã tự nhiên chứ không phải sự mệt mỏi, phờ phạc. Vì lẽ đó, phái đẹp cần phải chọn cho mình màu son nude thực sự phù hợp với màu da và nên tránh các tông son quá bợt. Lưu ý thêm việc chăm sóc cho đôi môi tránh môi nứt nẻ, bong tróc bằng việc thường xuyên tẩy da chết và dưỡng môi hàng ngày. Khi đánh son nude, bạn cần chú ý cân bằng sắc độ cho khuôn mặt bằng màu má hoặc màu mắt đậm./. Nếu xác định được tông da của mình, bạn sẽ rút ra được một quy luật lựa chọn màu son giúp bản thân luôn thấy tự tin và xinh đẹp. Rất nhiều người lầm tưởng rằng chọn màu son tôn da thì phải xét đến yếu tố da trắng hay da ngăm. Thực chất, yếu tố quyết định lại thuộc tông màu ẩn bẩm sinh của da, hay còn gọi là undertone. Da tông lạnh Những người có da tông lạnh đa số sẽ có nước da trắng sáng, ửng hồng, tuy nhiên ngược lại, không phải tất cả những ai có da trắng sáng thì đều thuộc nhóm da tông lạnh. Cách nhận biết da tông lạnh dễ nhất là khi phơi nắng, da sẽ dễ bị ửng đỏ, bỏng rát chứ không bị rám thành màu nâu. Nếu mạch máu ở cổ tay của bạn lộ màu xanh dương rõ ràng thì chắc chắn là da bạn có tông lạnh Chanel Rouge Coco màu Etienne 37USD, khoảng Hãy chọn các màu son cũng có màu ẩn thuộc tông lạnh, tức là thiên về ánh tím. Người có da tông lạnh không nên chọn son tông cam, và tốt nhất là không nên chọn các màu son nhạt như màu nude hay pastel trong mùa đông này. Da tông ấm Ngược lại với tông lạnh, những người thuộc nhóm da tông ấm khi phơi nắng thì rất dễ rám nắng, da chuyển thành màu nâu hoặc olive. Một số người có thể nhìn thấy dưới da lộ mạch máu màu xanh lá, vì vậy, trong mùa lạnh, khi da “nhả nắng”, người thuộc nhóm da tông ấm có thể có nước da trắng tái, nhìn hơi xanh NYX Matte Lipstick màu Indie Flick 6USD, khoảng Chính vì thế, hãy luôn ưu tiên chọn những màu son có tông ấm, hơi ngả cam, ví dụ như đỏ cam, hồng cam, hồng san hô. Nếu không thích tông cam thì bạn nên chọn tông đỏ thật rực, không quá trầm, tránh các màu đỏ nhạt, hồng nhạt. Da tông trung tính Tông da trung tính có độ cân bằng giữa tông ấm và tông lạnh, khi phơi nắng ít bị ửng đỏ và cũng ít bị rám nâu. Bạn có thể lựa chọn bất cứ màu son nào mà bạn thích, hoặc chọn màu son tùy vào màu răng của mình. Chẳng hạn, trong mùa Đông này nên chọn màu đỏ mận để tạo phong cách quyến rũ, đồng thời giúp hàm răng nhìn có vẻ trắng NARS Satin Lipstick màu Afghan Red 28USD, khoảng Bài Eve Nguyễn Ảnh tổng hợp And that story, about the mum who won't let her husband bathe with their daughters, really rocked the now BBC presenter Victoria Derbyshire has ruffled a few feathers by revealing that she walks around naked in front of her sons - aged 11 and had a right-side mastectomy in 2015 after being diagnosed with breast cancer, and says walking around in her birthday suit in her house is 'no big deal'.Speaking to Radio Times she said "In my house I don’t have body issues. I have a partner and two boys... I walk around naked in front of them and it’s no big deal."I am happy for them to see what a mum of two who’s had breast cancer looks like."What do you think?Here at MFM we definitely take an 'each to their own' approach about this kind of stuff - we think Victoria might have got everyone talking because her boys are that bit older - in fact, one's a everyone's different, right? And different families do things in lots of different we'd love to know what happens in your house. Are you happy to be naked in front of your little ones? What age if at all do you think you'll stop? Does it make a difference if you have boys or girls?Tell us in the comments below or over on FacebookImage Victoria Derbyshire on InstagramRead moreWhat age should you stop being naked in front of your kids?Why this mum says you should embrace nakedness around your kidsWas Olivia Wilde right to share this naked pic of her toddler?AuthorsContent Editor and Social Media ProducerTara is mum to 1 daughter, Bodhi Rae, and has worked as Content Editor and Social Media Producer at MadeForMums since 2015 The 100+ Most Controversial Films of All-Time Movie Title Screen Film Title/Year, Director Screenshots Rosemary's Baby 1968 D. Roman Polanski The National Catholic Office for Motion Pictures reviled Polanski's dark horror classic for mocking religion and making "perverted use" of Christian beliefs. Polish director Roman Polanski's first American feature film and his second, scary horror film following his first disturbing film in English titled Repulsion 1965 - was about a young newlywed couple who moved into a large, rambling old apartment building in Central Park West, where the title character Rosemary Woodhouse Mia Farrow experienced a nightmarish dream of making love to a Beast. Becoming paranoid and hysterical, she believed herself impregnated so that her baby could be used by an evil cult in their rituals. The creepy film ended with the devil's flesh-and-blood baby being cared for by the mother! The film was one of the first with the theme of Satanism and the occult, before the onslaught of films such as The Exorcist 1973, The Omen 1976, and Demon Seed 1977. The National Catholic Office for Motion Pictures reviled the film, condemning it for "the perverted use which the film made of fundamental Christian beliefs, especially surrounding the birth of Christ, and its mockery of religious persons and practices" - these criticisms were due in part to sequences depicting Rosemary's guilt over her lapsed Catholicism, anti-religious references to the Pope made by Roman Castevet "You don't need to have respect for him because he pretends that he's holy", the portrayal of Rosemary's pregnancy as a sexually-transmitted disease, and the film's view of Satanism as the birth of the Anti-Christ. The incredible irony of the film was that the plot would be similarly played out a year later - Polanski's pregnant actress/wife Sharon Tate would be terrorized and murdered by the strange cult of Charles Manson followers in her Benedict Canyon home. A real-life tragedy also occurred when the Bramford apartment building actually the Dakota apartments - the actual locale in the film was where Mark Chapman shot John Lennon in 1980. Its most memorable sequence was the aforementioned surrealistic dream sequence. "Dizzy," woozy and disoriented after eating some tainted chocolate mousse laced with sleeping powder, Rosemary hallucinated a Black Mass, imagining herself on a mattress drifting on the ocean, and then as a passenger on a presidential yacht. Undressed, shivering and naked, and then abruptly wearing a bathing suit, various images assaulted her the Birth of Man paintings on the Sistine Chapel ceiling, a typhoon at sea, and a naked descent into the hold of the ship, where a fire burned and Rosemary was lying on a mattress. She was surrounded by many chanting, overweight, elderly naked figures of the Satanists' coven, including husband Guy John Cassavetes and neighbors Roman Sidney Blackmer and Minnie Ruth Gordon Castevet. Rosemary "This is no dream, this is really happening." A bloody-red liquid was painted with rune designs on Rosemary's bare chest. A person resembling Mrs. John F. Kennedy Patricia Ann Conway who wore a white diaphanous gown descended a staircase and suggested tying her legs down in case of convulsions. Attendants spread her legs apart and bound them. In her dream-like sleep, Guy began making love to her, but then his appearance changed into a grotesque beast-like figure resembling the Devil, with yellowish eyes and clawed, scaly hands. He stroked the length of her body with his hairy claw. While being 'raped' during this horrific ritualistic copulation scene, as everyone watched her having intercourse with the Beast, she realized "This is no dream, this is really happening." After a nightmarish dream of making love to a Beast, the paranoid, haunted, and hysterical bride believed herself impregnated so that her baby could be used in evil cult rituals. The next morning, Rosemary questioned mysterious scratches she found on the side of her body. She was appalled that Guy admitted making love to her while she was passed out - supposedly from mixing alcohol - "It was kind of fun in a necrophile sort of way." She remembered something quite different from Guy's recollection - a demonic, inhuman rape Rosemary "I dreamed someone was raping me, I think from someone inhuman." Guy "Thanks a lot. Whatsa matter?" Rosemary "Nothing." Guy "I didn't want to miss the night." Rosemary "We could have done it this morning or tonight. Last night wasn't the only split-second." Guy "I was a little bit loaded myself, you know." In the final equally momentous scene, Rosemary discovered her Anti-Christ child in a black-draped crib. Late one night, Rosemary had snuck into the Castevet's apartment through the closet passageway - with a kitchen knife upraised in her hand. There, she found a coven of witches including Guy, surrounding a black-draped baby cradle to pay their respects - it was a macabre presentation of the Adoration of the 'Satanic' Magi, with visitors coming to view the babe from all parts of the globe. A framed portrait of Adrian Marcato hung above the fireplace. She approached the black bassinet expecting to see her own human child. In a frightened, angry tone, she asked about her baby cradled there with an inverted cross hanging above - fully expecting the child to have "Guy's eyes." She slowly walked over to the cradle, saw her child in the bassinet - and her eyes widen in terror "What have you done to it? What have you done to its eyes?" And then she was told the truth - she realized that she was impregnated by the Devil and the baby was the offspring of Satan and Rose-Mary a variant on the name Mary in the Biblical story. Her baby's eyes were NOT human. Although Rosemary rejected the devil-worshipping coven of witches, she accepted the reality of the situation and showed an instinctive mothering role and maternal instinct toward the baby in the final scene - she gently rocked the upset child to sleep. Scratches on Rosemary's Back The Next Morning "What have you done to its eyes?" "You maniacs!" Maternal-Nurturing Response to Satanic child Midnight Cowboy 1969 D. John Schlesinger The only X-rated Best-Picture winner, this gritty movie discomfited some viewers with its frank, non-judgmental depiction of homosexuality. John Schlesinger's film was a major milestone although controversial at its time for its gay-related content and subject of male prostitution. Its title "midnight cowboy" referred to nocturnal cowboys in the big city - those who were hustlers. The ground-breaking film was the first and only X-rated for adult-oriented, not porno mainstream film later reduced to R to be voted Best Picture, with an A-list stars, at a time when the ratings system was first introduced. This Oscar-winning film, an exceptional, provocative, and gritty character portrait, was made on location in New York to portray seediness, corruption, and big-city anonymity, and was based on James Leo Herlihy's 1965 novel. It was unusual for its rating to be so high, since the unflinching film did not contain significant profanity, graphically-brutal violence, or frontal nudity, although it did portray some partial nudity and simulations of sex. It told an adult-themed story about a naive, swaggering, transplanted and emasculated dishwasher/stud - a displaced small-town "cowboyish" Texan named Joe Buck Jon Voight who struggled and aspired in the sordid 42nd Street area of NY to become a successful hustler or gigolo - while posing as a "macho midnight cowboy," although he eventually resorted to homosexual street hustling to survive. Upon his arrival in the big city, he vainly posed shirtless in front of his hotel room's mirror, and pasted up a beefcake poster of Paul Newman from Hud and a picture of a topless woman. His first 'trick' was fast-talking, brassy society girl Cass Best Supporting Actress nominee Sylvia Miles who out-hustled Joe for a cab-ride fee. In a comedic sex scene in which they humorously activated channels with the TV remote control beneath their bodies - the metaphoric climax came with the closeup view of the winning results of a slot machine jackpot - spewed-out coins. Joe's first homosexual client was a religiously fanatical and homosexual Jesus-freak Christian named Mr. O'Daniel John McGiver. During the encounter, Joe flashbacked to his disturbed and abused boyhood when he was baptized in a river recalled as terrifying. He also recalled an incident when town rednecks viciously assaulted him and his former girlfriend "Crazy" Annie Jennifer Salt when they were having sex in a car. He was homosexually raped and she was traumatically gang-raped. Another homosexual client in New York was a bespectacled, geeky young student Bob Balaban in a dark movie theatre who was penniless - while experiencing oral sex, Joe had memories of making passionate love with Annie who promised him she was being faithful by telling him "You're the only one, Joe...Kiss me, Joe, kiss me". In another nightmare regarding Annie who had a reputation for being a tramp, he also remembered her saying - as the authorities arrived "He's the one. He's the only one" - implying something more sinister. The Texas stud was befriended by a limping and coughing homeless con artist named Ratso Rizzo Dustin Hoffman and they experienced an unspoken homosexual relationship together which included frequent bickering. They both experienced the riches of the American dream when invited to a freaky Greenwich Village party by a "couple of fruity wackos" Gastone Rossilli and Warhol's Viva, where they found free food, drugs, and opportunities for sex. Joe took stoned socialite Shirley Brenda Vaccaro to bed for his first successful heterosexual score with a paying female client $20. At first, though, he suffered sexual inadequacy until angered when she teasingly suggested that he was gay "Gay, fey. Is that your problem, baby?" - and then he performed vigorously. Afterwards by phone, she recommended his studly services to an unhappily-married female friend. Joe's final trick was with another homosexual - a middle-aged Catholic man named Towny Barnard Hughes. Back at the man's hotel room, in the last sordid act of his street-life existence, things turned violent. Joe ended up in a rage, brutally attacking the self-loathing, mother-dominated, despicable man after receiving a St. Christopher's Medal and only ten dollars. He committed a horrible crime - he robbed the man of all his money and then brutalized the customer, probably killing him. He left after jamming the phone receiver into the man's bloodied, toothless mouth. Hustler Texan Joe Buck With Society Girl Cass Co-dependent Joe Buck and Rizzo Joe with Shirley Brenda Vaccaro The Wild Bunch 1969 D. Sam Peckinpah Sam Peckinpah's movie was both praised for its realistic vision of the dying West and lambasted for its graphic portrayal of savagely explicit violence. Director/co-writer Sam Peckinpah's provocative, brilliant yet controversial breakthrough Western was shocking for its graphic and elevated portrayal of violence and savagely-explicit, orgiastic carnage, yet hailed for its truly realistic and reinterpreted vision of the dying West in the early 20th century at a time when mass-produced murder was possible with the Gatling gun. Due to its violence, the film was originally threatened with an X-rating by the newly-created MPAA Motion Picture Association of America, but an R-rating was its final decision. A so-called 'director's cut' version of the film, threatened with an NC-17 rating when submitted to the MPAA ratings board in 1993 prior to a re-release in 1994, held up the film's re-release for many months. The film opened with innocent village children intrigued by putting red fire ants and scorpions together and setting fire to the swarming pile. Sam Peckinpah's harsh and extremely violent western cinematically visualized at both its beginning and end with rapid-fire and slow-motion segments the horrific, savage, yet glorified spectacle of death for a romantic band of men whose time had come. Both sequences served up as counterpoints to the media's honest display of violence during the late 60s, with the Vietnam War, assassinations, urban riots, and other events filling the airwaves. The much-imitated, influential film was book-ended by these two extraordinary sequences, both massacres. The two scenes included some of the bloodiest, most violent shoot-ups ever filmed. Peckinpah choreographed each of the film's two bloodbaths as a visually prolonged, beautiful ballet - a semi slow-motion, aesthetically breath-taking, non-gratuitous, lyrical, extreme celebration of bodies spurting blood and being torn apart by bullets. the gang of desperadoes, the 'wild bunch,' were first assaulted in the film's opening ambush following a failed bank robbery in a Texas border town, and the slaughter of innocent bystanders in a temperance parade, and the use of women as shields in the all-male film the united comrades were brutally destroyed in a selfless, redemptive act - by a savage and vindictive Mexican warlord named Mapache Emilio Fernandez after a double-crossing arms deal; leader Pike Bishop William Holden knew he must lead his Wild Bunch group to uphold its honor, to live up to its pronouncements on solidarity, to commit itself to a futile but necessary action, and to nobly sacrifice itself for the persecuted and captive Angel Jaime Sanchez - in a final showdown against 1,000 Mexicans In the second sequence, the four Wild Bunch members loaded their rifles and marched across town - four abreast, reminiscent of the walk to the classic Corral in other westerns - to confront the drunken General Mapache, who held court next to the machine gun, his proud possession mounted on a table. Pike demanded the return of Angel "We want Angel", now bloodied, maimed and near-death from torture. Mapache appeared to comply, assisting Angel's walk over to them and then cutting his wrist ties with a knife. But in a brutal, full-frontal view, Mapache slit Angel's throat and was immediately killed in retribution by Pike and then by Dutch Ernest Borgnine and Lyle Warren Oates. The precipitation of their last stand - a violent, seven minute bloodbath counter-attack of monumental proportions in the open courtyard - was delayed with a long moment of silence. With their guns drawn, the four men were able to hold off hundreds of surprised and dumbstruck Mexicans, which now stood leaderless and still for several seconds, gaping at what had happened. Warily and then gleefully, Pike and Dutch smiled and laughed, realizing that for an instant, they just might succeed. However, in the end, they were outnumbered, surrounded, and condemned to die in the pending climactic battle. It was truly an orgy of slaughter in one of the bloodiest scenes ever filmed, as the four remaining outlaws took down as many men as they could. Although some of the Wild Bunch held off the troops momentarily by using grenades and by commandering the machine gun and firing it with orgasmic intensity, they were soon wounded and killed. With their violent deaths, they had become liberated. Opening Titles Sequence The Opening Massacre The Bloodbath in the Finale How can I talk to my child about sharing nudes online? It’s important to have open conversations with your child about what they’re doing online from a young age, especially about the types of content they’re sharing. Start by talking to them about image sharing in general and ask your child what sort of photos they’d feel comfortable posting online. This will give you a chance to see how much they already know about what is and isn’t appropriate to share. Remind them to never post or send anything that contains personal information and encourage them to come to you if they’re ever asked to share something that makes them feel uncomfortable. If your child is older you might want to talk to them more directly about sharing nudes online. We know that this can be an awkward topic to bring up so we would recommend reading Childline’s advice on sharing nudes and sexting to give you some tips around how to approach it and what language to use. Look out for opportunities in everyday life to start a discussion informally, such as a storyline on TV. This way you can have a conversation about sexting and sharing nudes without it being the main focus. Consider how you talk about this more widely, when discussing TV shows or news stories, and ensure that you aren’t using victim blaming language. Phrases to avoid using they weren’t thinking’ it shouldn’t have been shared in the first place’ they are attention seeking’ This type of language could make your child not want to talk to you about what they are experiencing. Need advice about online safety? If you’re stuck, not sure what to do, or if you’re worried about your child, you can also contact our trained helpline counsellors on 0808 800 5000. Childline also has lots of information about online and mobile safety that will help you and your child.

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